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A young medical intern decides to get married to his lady love Sirat, also a medic, much against the wishes of his tyrannical mother and is helped by the other family members in this task. To vent her spite against this decision of her son, the mother plots ways to make the life of her daughter-in-law miserable. But the twist is, this new bride is no feeble daughter-in-law of the past and decides to play one up on her saas (mother-in-law) and set her right in a subtly cunning way.
The cast is repetitive, with character actors Gurpreet Ghuggi, Karamjit Anmol, Nisha Bano, Nirmal Rishi playing out their roles. But, it is remarkable to watch how these veteran stars of Punjabi comedy have aced their comic timing, which is impeccable. Anita Devgan, however, is the queen of this show as she leads the tirade against her own nuh and her saas while also aggressively meddling in the life of her own newly wed daughter, with her in-laws. The nuh being the contemporary modern girl is equally determined to crush her saas’ every move and outwit her.
While the title of the film is heavily women centric, the men in this drama contribute their bit to furthering the narrative by playing the husbands and sons subservient to the women in their family, at least in as far as relations equations go.
Speckled through the script are some social messages to mothers-in-law about accepting their daughters-in-law as their daughters, largely delivered by the men. Though not seemingly dominant, the male actors played by Karamjit and Ghuggi are justifying the emotions of men relegated to a corner amid the instructions of their tyrannical mothers and mothers-in-law.
A light entertainer and good watch, that mocks the age-old saas-nuh relationship, as indicated in the Punjabi boli of gidda, Ni Main Sass Kuttni, while also advocating for a change in their relationship with the modern times. The music is entertaining and melodious, though the narrative gets repetitive and drags a little towards the end.